The Photography Of Alan Young

Technical Stuff

No 4. Tricks Of The Trade "Alan Young Style"

A STROLL AROUND VENICE
















I have often been asked "how do I create HDR pictures with moving subjects?", so here is my work flow to produce a B/W HDR with people as the main subject. Please be advised this is "My work flow" so it may be unconventional and incorrect :-)


1. I use a Canon 5D.


2. I shoot in RAW and RGB mode. (Always in AV mode to keep DOF constant)


3. I use auto bracketing and take three shots simultaneously –2.00ev / 0.00ev / +2.00ev (Varies)


4. Select one image from the three. The image should have good dynamic range and exposure


5. Open the image in Raw Shooter Essentials 2006 or an equivalent RAW convertor


6. Set output preferences to 16 Bit Tiff and RGB


7. Ensure all auto exposure controls are off and turn off sharpening


8. Create the 1st image with an exposure of –2.00ev and save to the desktop


9. Create the 2nd image with an exposure of 0.00ev and save to the desktop


10. Create the 3rd image with an exposure of +2.00ev and save to the desktop


11. Now open Photomatix Pro 3.0


12. Set the out put to 16 bit Tiff RGB


13. Click on generate HDR and select the three Tiffs from the desktop


14. There will be a brief pop up appears stating the images have the same exposure value. Ignore this


15. The next pop up will ask you to input the exposure latitudes


16. Enter +2.00ev and –2.00ev and click OK


17. On the next screen deselect ‘Align source images’ and ‘Reduce ghosting’(only required when merging three separate images)


18. Click tone map and adjust as required


19. Save the mapped image to the desktop


20. Open the image in Photoshop


21. Duplicate the background and use shadow and highlight for added detail


22. Next adjust curves and levels


23. When the contrast and brightness are correct, duplicate the background and use ‘Noise Ninja’ to lessen the noise levels


24. Flatten the image and duplicate the background. (Flattening is optional but will reduce file size considerably and processing time)


25. Add the high pass filter at about 1.5 and change the blending mode to overlay


26. Flatten the image again


27. Select the black and white filter and cycle through the presets and choose the best option


28. Adjust curves and levels if required


29. If the image is slightly dark go to Layer > New adjustment Layer > Exposure and knock the Gamma slide back slightly


30. Save as a 16 bit Tiff with LZW compression
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